From the October26, 2012, Chicago Tribune by Richard Knight Jr. Includes photos and more information. Worth a look.
10. "THE BRIDE OF FRANKENSTEIN" (1935)-- Considered the grand-daddy of all monster movie scores by Franz Waxman.
9. "ROSEMARY'S BABY" (1968)-- Polish jazz pianist composer Krzysztof Komeda's disquieting main title.
8. "THE OMEN" (1976)-- Jerry Goldsmith's only Oscar for this over-the-top score.
7. "SISTERS" (1973)-- Bernard Hermann's fee was the highest in this low-budget shocker, but worth it. (I'm not familiar with this one.)
6. "THE SHINING" (1980)-- Co-composers Wendy Carlos and Rachel Elkind's spine-chilling, synth-based main title is part of the movie's appeal.
Five More to Come Boomorrow. --RoadDog
Being an account of some things I'm interested in, what I'm doing, and reflections on my past, especially music.
Listen to this man. Seven years of college, you know. Trying to reason with 2020 and, now, 2022.
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